Scary Writers Share the Most Frightening Narratives They have Ever Experienced

A Renowned Horror Author

A Chilling Tale from Shirley Jackson

I read this narrative years ago and it has lingered with me ever since. The titular seasonal visitors turn out to be a family urban dwellers, who occupy the same isolated lakeside house every summer. On this occasion, rather than returning to urban life, they choose to lengthen their vacation an extra month – an action that appears to alarm all the locals in the adjacent village. Everyone conveys an identical cryptic advice that no one has lingered in the area after the end of summer. Nonetheless, the couple are determined to remain, and that’s when events begin to get increasingly weird. The person who brings oil won’t sell to them. Nobody will deliver food to their home, and when the Allisons try to go to the village, their vehicle fails to start. A storm gathers, the energy within the device diminish, and as darkness falls, “the two old people crowded closely within their rental and expected”. What are this couple waiting for? What do the locals understand? Whenever I read Jackson’s unnerving and thought-provoking tale, I’m reminded that the finest fright originates in what’s left undisclosed.

An Acclaimed Writer

Ringing the Changes from a noted author

In this brief tale a couple go to a typical beach community where bells ring continuously, a perpetual pealing that is annoying and inexplicable. The opening extremely terrifying scene occurs after dark, at the time they decide to go for a stroll and they are unable to locate the sea. Sand is present, there’s the smell of decaying seafood and seawater, there are waves, but the water seems phantom, or another thing and worse. It is simply profoundly ominous and each occasion I travel to the shore at night I recall this tale which spoiled the sea at night to my mind – favorably.

The young couple – she’s very young, he’s not – head back to the inn and learn why the bells ring, during a prolonged scene of claustrophobia, gruesome festivities and death-and-the-maiden intersects with danse macabre chaos. It’s a chilling reflection on desire and decline, two people aging together as partners, the attachment and aggression and affection within wedlock.

Not only the most frightening, but probably one of the best short stories out there, and an individual preference. I read it en español, in the first edition of these tales to appear locally a decade ago.

Catriona Ward

Zombie from Joyce Carol Oates

I perused Zombie beside the swimming area in the French countryside recently. Despite the sunshine I experienced an icy feeling within me. Additionally, I sensed the thrill of fascination. I was composing my third novel, and I had hit a wall. I was uncertain if it was possible a proper method to compose some of the fearful things the book contains. Going through this book, I realized that there was a way.

Released decades ago, the novel is a grim journey through the mind of a criminal, the main character, inspired by a notorious figure, the murderer who slaughtered and mutilated multiple victims in the Midwest during a specific period. As is well-known, this person was fixated with making a submissive individual who would stay with him and made many macabre trials to do so.

The deeds the story tells are terrible, but just as scary is its own mental realism. The character’s dreadful, shattered existence is simply narrated using minimal words, names redacted. The audience is immersed trapped in his consciousness, obliged to observe mental processes and behaviors that horrify. The strangeness of his thinking is like a bodily jolt – or finding oneself isolated on a barren alien world. Going into Zombie feels different from reading but a complete immersion. You are consumed entirely.

An Accomplished Author

White Is for Witching by Helen Oyeyemi

During my youth, I walked in my sleep and eventually began having night terrors. On one occasion, the fear included a vision in which I was trapped inside a container and, when I woke up, I found that I had ripped a part off the window, seeking to leave. That building was decaying; when it rained heavily the entranceway filled with water, insect eggs came down from the roof into the bedroom, and once a big rodent scaled the curtains in the bedroom.

When a friend handed me the story, I had moved out with my parents, but the narrative of the house high on the Dover cliffs seemed recognizable to myself, nostalgic as I was. It’s a story concerning a ghostly loud, emotional house and a female character who eats chalk off the rocks. I cherished the book immensely and came back repeatedly to the story, always finding {something

Tiffany Lawrence
Tiffany Lawrence

Elara is a tech enthusiast and business strategist with a passion for innovation and digital transformation.